Our first connection
Most of my clients find me after a google search such as “Bay Area body casting” , see me on Instagram, or hear about me from a friend. As far as I know I’m the only professional body caster in Northern California.
I intentionally used the same name on every social media platform. If anyone searches for ” EricTheSculptor ” they will find me where they already are.
Sometimes I just get a text at 925 336-6462 and never know how they found me.
Usually the first questions are about where I am ( Dublin, CA ) and how to set up a casting appointment. Most of the time I can set a casting day about 2 weeks after i’m contacted, but it’s sometimes a challenge to match my schedule with the client’s schedule.
Before the appointment.
A couple days before our appointment I email the client to tell them how to prepare. It’s particularly important for torso casting subject to not wear any tight clothes that day that will leave marks on the skin in the casting areas.
I also email my information page that I will ask them to sign when we first meet. ( Sample Here )
My studio is next to my home ( Dublin, CA ) and was custom designed and built by me to be bright, comfortable, and versatile.
We start by reading the information page together and then it’s signed by the client.
We also fill out and sign a contract that includes the casting cost, the details of the casting, and various other options.
I accept all common credit cards, Venmo, Cash App, and even cash.
The client and I talk about what they want and I usually make suggestions based on my experience.
I often use a low power laser to establish the back edge of the casting. Most castings are from the body contour center line forward.
The casting area is wiped with light soapy water to reduce surface bubbles in the final cast. Sometimes it’s necessary to apply a release agent depending on the type of casting material we are using and the body hair of the subject.
In this torso casting I used Body Double silicone by Smooth-On which I buy from Reynold Advanced Materials in LA. It captures exceptional detail, and the resulting rubber mold can be used to make multiple castings.
I carefully mix one batch at a time. It starts to cure in a few minutes so I need to apply each mix quickly.
I always get written and verbal consent before I touch the model. Throughout the process I re-affirm that all is well.
Mixing correctly is really important.
The silicone starts to feel like a tight wet suit. After about 10 minutes the liquid becomes a soft, stretchy rubber.
At each step I explain what I’m doing and what will happen next.
If there are area with hairs that might catch in the silicone I add Hyperfolic to the mix to make it less likely that we will have problems removing the rubber. As the material starts to set, it’s still ok for the subject to move a bit to stay comfortable.
After the entire casting area is covered, the next step is the thicken and simplify the rubber surface. I add a thixotropic agent ( Thi-vex ) to the mix which changes it from a gooey liquid to a cake frosting consistency. I apply with a smooth stick and try to remove any rough or uneven spots. This becomes important in the final step when I need to remove the rigid plaster shell.
When the rubber is completed, I clean up the edge and am ready to create a plaster support shell.
Super fast setting plaster bandages are used to make a rigid shell.
A proper shell is strong enough to hold the large forms, but flexible enough to remove from the model without damage.
I do the neck last so the model isn’t forced to hold an uncomfortable position for very long.
The shell needs to set for about 10 minutes then it’s ready to remove.
If the silicone surface is done well, the shell will remove without struggle.
The silicone rubber is carefully removed from the client.
The rubber is strong, but it can stretch or rip if it’s pulled off to quickly.
I replace the rubber into the support shell.
It’s a near perfect negative of the client’s body.
It’s always a strange sensation to see a reversed impression of your own body for the first time.
At this point the client can go home and I will do all of the rest of the work in my studio over the next few weeks.
From the initial greeting to this stage is about 2 hours.
In Part 2 I will explain how I use the silicone negative mold to create a body cast sculpture.
To contact me text 925 336-6462
or email EricTheSculptor@gmail.com
My Instagram is www.Instagram.com/EricTheSculptor